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Handel: Memoirs 5 cover art

Album

Handel: Memoirs 5

John MainwaringRichard WistreichPhilipp von SteinaeckerMusica Saeculorum

2024 · album · 50 tracks

Tracks

  1. 1The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/20094:04
  2. 2The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/20095:02
  3. 3The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/20091:06
  4. 4Memoirs: Observations on the works: Before we enter on the examinations0:41
  5. 5Memoirs: Observations on the works: Music is founded on established rules0:43
  6. 6Memoirs: Observations on the works: The rules are derived from experience0:38
  7. 7Memoirs: Observations on the works: The former of these0:36
  8. 8Memoirs: Observations on the works: Such passages0:36
  9. 9Memoirs: Observations on the works: Hence too we may conclude0:31
  10. 10Memoirs: Observations on the works: As tste implies a natural sensibility0:32
  11. 11Memoirs: Observations on the works: Art is here not only useless, but dangerous0:31
  12. 12Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance0:38
  13. 13Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music0:39
  14. 14Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen0:33
  15. 15Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music0:32
  16. 16Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part0:34
  17. 17Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances0:35
  18. 18Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina0:33
  19. 19Memoirs: Italian music since Palestrina: It happened, as it naturally must0:38
  20. 20Memoirs: Italian music since Palestrina: For their instrumental parts0:35
  21. 21Memoirs: Italian music since Palestrina: The one is, that they have little time for composing0:36
  22. 22Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy0:38
  23. 23Memoirs: Italian music since Palestrina: This in some degree0:46
  24. 24Memoirs: Interaction between Handel and the italians: From all that has been said0:53
  25. 25Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy0:53
  26. 26Memoirs: Value of harmony and melody: But in order to make a right judgement0:39
  27. 27Memoirs: Value of harmony and melody: The concertos of Tartini0:38
  28. 28Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully0:48
  29. 29Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way0:47
  30. 30Memoirs: Value of harmony and melody: It may also be added0:42
  31. 31Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted0:42
  32. 32Memoirs: Value of harmony and melody: The best Painter would be blamed0:38
  33. 33Memoirs: Uneven success in Handel: To speak the plain truth0:40
  34. 34Memoirs: Uneven success in Handel: A gentleman whom he had desired0:38
  35. 35Memoirs: Uneven success in Handel "Un disprezzato affetto"0:40
  36. 36Memoirs: Tartini as example of vocal writing for instruments: Here too we will see0:32
  37. 37Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species0:34
  38. 38Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages0:59
  39. 39Memoirs: Importance of textual considerations in composition: And here I just may take notice0:39
  40. 40Memoirs: Importance of textual considerations in composition: A too close attachment0:35
  41. 41Memoirs: Importance of textual considerations in composition: The English tongue0:46
  42. 42Memoirs: Importance of textual considerations in composition: If it abounds with noble images0:41
  43. 43Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival0:45
  44. 44Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle0:37
  45. 45Memoirs: Exceptional nature of Handels choral music: But there are many reasons0:34
  46. 46Memoirs: Exceptional nature of Handels choral music: It is however no way improbable0:38
  47. 47Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios0:39
  48. 48Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius0:51
  49. 49Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception0:46
  50. 50Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music0:56